{"id":19,"date":"2014-06-25T13:48:29","date_gmt":"2014-06-25T11:48:29","guid":{"rendered":"http:\/\/dev.hansgroening.de\/?page_id=19"},"modified":"2024-02-20T09:32:29","modified_gmt":"2024-02-20T07:32:29","slug":"press","status":"publish","type":"page","link":"https:\/\/hansgroening.de\/en\/press\/","title":{"rendered":"Press"},"content":{"rendered":"

press comments<\/h1>\n
\n

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\n\u00a9 Christian Palm<\/p>\n

\n

Gr\u00f6ning, alias Lenz, aspirates, whispers, gasps, whines, speaks, whispers, sings, cries is silent with in an intensity that gets under the skin. His body language and facial expressions are disturbingly realistic. He drives the character towards destruction, finds a breathtaking path to the absolute<\/em>
\nMonika Beer, Opernwelt<\/p>\n

Hans Gr\u00f6ning is brilliant in the title role of Lenz<\/em>
\nThorsten Preu\u00df, BR-Klassik<\/p>\n

Gr\u00f6ning as Lenz embodies and lets us experience a multifaceted character; he is a masterful singer and actor<\/em>
\nEgbert Tholl, S\u00fcddeutsche Zeitung<\/p>\n

In the title part of Wozzeck, Hans Gr\u00f6ning was an emotionally gripping actor; he sang with a powerful and equally expressive baritone<\/em>
\nM\u00fchlacker Tagblatt<\/p>\n

Hans Gr\u00f6ning as Wolfram: beautiful, with eminent qualities of a Lied singer<\/em>
\nBernd Stapka, G\u00f6ttinger Tageblatt<\/p>\n

Hans Gr\u00f6ning as Ollendorf delivers a showpiece of the finest. His magnificent baritone raised the roof of the venerable Prinzregententheater of Munich<\/em>
\nSilvia E. Loske, Musical Reviews<\/p>\n

Gr\u00f6ning attracts thunderous applause with his truly breathtaking and superbly mastered cavatine of Rossini\u00b4s Figaro<\/em>
\nBirgit Hendrich, Leipziger Volkszeitung<\/p>\n

Outstanding: Hans Gr\u00f6ning as Director Hummel.<\/em>
\nFlorian Zeuner, fm5.at<\/p>\n

… strong-voiced Hans Gr\u00f6ning as ruthless speculator and assassin<\/em>
\nKarlheinz Roschitz, Kronen Zeitung Wien<\/p>\n

The evening belonged to the expressive baritone Hans Gr\u00f6ning as Lindorff, Coppelius, Doctor Miracle and Dappertutto; his acting and vocal portrayals are truly mephistophelian<\/em>
\nDieter Schnabel, Stuttgarter Zeitung<\/p>\n

… first and foremost the vocally outstanding and impressive acting of Hans Gr\u00f6ning as Kaspar (Werner Egk, “The Magic Violin”)<\/em>
\nKarin Coper, Orpheus<\/p>\n

Hans Gr\u00f6ning is van Gogh. He brings a full and flexible baritone (with absolute text comprehensibility!) to Frid\u2019s expressive intentions. His physical intensity and perfect acting are present every second of the evening<\/em>
\nWolfgang Wicht, Th\u00fcringer Allgemeine Zeitung<\/p>\n

Hans Gr\u00f6ning, who possesses a magnificently melodious, sonorous and Italianate baritone, sang with great elegance and distinction<\/em>
\nLudwig Steinbach, Der Opernfreund<\/p>\n

Hans Gr\u00f6ning was utterly convincing as Morruccio, bringing a wonderful timbre and intelligent acting to the part<\/em>
\nTobias Kade, Das Opernglas<\/p>\n<\/div>\n

\n

\u00bb deutsche Version<\/a><\/p>\n<\/div>\n

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press photos<\/h1>\n

\u00bb download high resolution photos (18 MB)<\/a>
\n\u00bb download low resolution photos (800 KB)<\/a><\/p>\n<\/div>\n<\/div>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

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